Jeff Scott Soto recently pushed back against criticism aimed at Rush bassist and vocalist Geddy Lee after the band’s high-profile return to the stage. The singer stated that he understands that fans have complicated feelings about Rush performing again following the death of drummer Neil Peart. However, they argued that the music still matters to both the musicians and the audience.
In a statement shared on Instagram, Soto defended Lee’s live singing and framed the reaction as overlooking the reality of age, noting that Lee is 72 and “going for it” as the band moves into its next round of appearances.
“I know there are mixed feeling about Rush returning after losing Neil Peart years ago but as a musician who has felt the loss of key members of bands I have been part of (not in any way, shape or form comparing to Rush or anyone!), I know how much the body of music means to me and others to NOT share it with them one or more times before I exit this planet!” Soto said.
Soto also pointed to his own experience dealing with the loss of key bandmates, saying that he knows what it means to have a body of work that still feels important to share “one or more times” before he “exit[s] this planet.”
He added another personal connection: he said he was proud to see keyboardist Loren Gold—whom he described as a friend—playing with one of his “legacy bands.”
“And come on, Geddy is 72, but he’s going for it and I feel the upcoming dates will be great for them and Rush fans alike!” he continued. “I also have another personal tie in, the keyboardist is a bud and I am so proud to see Loren Gold up there with one of my legacy bands!”
The comments arrived as Rush’s reunion performance sparked debate among longtime listeners, with attention landing on Lee’s vocals and the group’s lineup adjustments, including drummer Anika Nilles handling parts originally played by Peart. That combination has made the comeback a major talking point for fans weighing nostalgia against the challenge of continuing without a defining member.
Whether Rush expands its return beyond select appearances, Soto’s message was clear: the attempt itself deserves respect, and the band’s decision to step back onstage is rooted in preserving the connection between the music and the people who still want to hear it live.
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