Sex Pistols Singer Reveals When He Knew Kurt Cobain Was ‘Suicidal’


Speaking to Pitchfork, ex-Sex Pistols frontman John Lydon seemed to imply that he felt that the Nirvana had stolen from his punk band’s own seminal 1977 album ‘Never Mind the Bollocks, Here’s the Sex Pistols’ for their album ‘Nevermind’.

Lydon said: “I remember being very angry at their album title being ‘Nevermind’. I thought ”Nevermind’? Have you lost your bollocks or something?’ I was drawing a line on it all, perhaps too sharply”.

He went on to say that he’s now realised the greatness of the band: “I have to say ‘Smells Like Teen Spirit’ is one of pop music’s all-time greatest. That song is firmly embedded in my psyche. So, I forgive them. Most bands can’t come up with one complete song, and sometimes one is enough.”

Lydon also suggested that he had predicted Kurt Cobain’s death, saying: “By ‘Heart-Shaped Box,’ it was all starting to sound a bit suicidal. I felt it coming.”

Kurt Fraser posted a blog on Cobain Evidence Blog a few weeks ago. Read part of the article below, and definitely make sure to check out Cobain Evidence Blog.

Correspondence between the author and Carole Chaski, a reknowned forensic linguist featured in the docudrama Soaked In Bleach, illuminates the divide between Chaski’s findings on the greenhouse note discovered near Kurt Cobain’s body on April 8, 1994, and how she was portrayed in the film.

The issue regarding Chaski’s portrayal in the film was first reported on here: The Aftermath of Soaked In Bleach – Part II. The author’s findings fully support the contents of the aforementioned article regarding the linguist.

Chaski holds a Masters and PhD in Lingusitics from Brown University and a Masters in Psychology of Reading from the University of Delaware, and currently serves as Executive Director for the Institute for Linguistic Evidence and as CEO and President of ALIAS Technology, LLC.

In addition to confirming her opinion that the entire greenhouse document qualified as a suicide note, the linguist informed the author that it was her opinion that the note was a “metaphor” for the way in which Mr. Cobain chose to die, with the top portion representing the overdose aspect of his passing and the bottom portion representing the firearm aspect. “I think he used two methods of death and two methods of communicating his ideation,” Chaski indicated.

“Poet’s see the metaphorical aspects of life and he was a poet until the very end,” the linguist imparted.

Chaski stated that she had communicated her belief regarding the metaphorical nature of the top and bottom portions of the note during the taping of her testimony for Soaked In Bleach. This aspect of her testimony, however, does not appear in the film.

In addition, as part of her participation in the film, Chaski indicated that she had further evaluated the note using computational software which analyses the linguistic features of a questioned document to determine if it qualifies as a suicide note.

The software is called SNARE (“Suicide Note Assessment Review”), and Chaski indicates that SNARE classified the greenhouse note in the following ways:

1) The top portion as a suicide note;

2) The bottom portion as a suicide note; and

3) The entire note as a suicide note.

With regard to the scientific validity of SNARE, Chaski informed the author of the following:

The SNARE method was developed independent of any case investigation or litigation, using only ground truth data of known suicide notes and known control texts. The method was developed in a purely controlled environment to minimize confirmation bias.

SNARE was validated for accuracy using statistical procedures, which indicate an accuracy rate of 86% for notes less than 45 words and an 80% accuracy rate for notes in excess of 45 words.

SNARE has been subjected to peer review and has been presented at the American Academy of Forensic Sciences’ annual meeting.

In conjunction with SNARE’s computational findings, Chaski also indicated that she conducted a qualitative assessment of the note. The qualitative assessment, Chaski explained, involves her examining the individual linguistic parts of a given note and determining whether or not those parts meet the characteristic features of known suicide notes. Chaski indicated that the greenhouse note contained many such suicidal features, such as “burdensomeness of self,” “unbearable situation” and “relationship loss.”

Both the top and bottom portions of the note are “classic suicide notes,” Chaski further informed the author.

The linguist indicated that the producers of Soaked In Bleach had been informed of SNARE’s results and the results of her qualitative assessment. SNARE’s results, however, do not appear in the film, and Chaski’s determination that the entire document – not merely the bottom portion – qualified as a suicide note is also not presented.