Pollstar has released its annual Mid-Year Worldwide Tours chart, which ranks the top 100 concert tours around the globe during the first six months of 2018 by gross ticket sales. Foo Fighters and Metallica are two of the top drawing rock acts.
09. ROGER WATERS ($60.7 million)
12. FOO FIGHTERS ($53.6 million)
19. METALLICA ($40.6 million)
21. BON JOVI ($38 million)
35. QUEEN + ADAM LAMBERT ($23.9 million)
43. JOURNEY / DEF LEPPARD ($21.2 million)
52. IRON MAIDEN ($17.3 million)
53. KID ROCK ($17.1 million)
83. AVENGED SEVENFOLD ($10.5 million)
91. SCORPIONS ($10.1 million)
Pollstar have also released its Mid-Year Top 100 North American Tours chart:
10. BON JOVI ($38 million)
19. JOURNEY / DEF LEPPARD ($21.2 million)
29. KID ROCK ($17.1 million)
49. FOO FIGHTERS ($10.3 million)
55. AVENGED SEVENFOLD ($9.5 million)
81. FOREIGNER ($5.8 million)
83. QUEENS OF THE STONE AGE ($5.7 million)
89. JUDAS PRIEST ($5 million)
In other Metallica money related news, Lars Ulrich discussed Metallica’s battle with Napster in a recent OMR interview (transcribed by Ultimate-Guitar):
“The big misconception about the Napster argument was – it had nothing to do with digital, it had nothing to do with technology. It was really about asking. It was about ownership.
“If we want to give our music away for free – will give our music away for free! That’s not a problem! But that choice was taken away from Metallica by another company. So we’re like, ‘Wait a minute, why should you be able to facilitate giving away of our music for free? That should be something that we decide.’
“At that time we had encouraged people to bootleg our shows, we had sold tickets to the taper section in the back. ‘Come bring your recording equipment, take the show home with you.’ So we were very pro this type of thinking. But then Napster took the choice away from us.
“To me, Napster was like a street fight. It was a back-alley brawl. It was like, ‘Let’s roll up our sleeves and go have a good old-fashioned punch-up in the back alley. And then all of a sudden we were caught on the world’s stage and it was like, ‘Holy fuck! How did we end up being the bad guys?’ Because we were always the good guys.
“Generally, I can look at you and go, ‘We’re pretty decent people, we’re not the bad guys.’ That was one time when we sort of misjudged a little bit what the temperature was in the rest of the world about this Napster thing because we were standing out there going, ‘Whoah, what did we get ourselves into here?’ So that was a little bit of a clusterfuck. That was a strange summer.”
