Pearl Jam Song Removed From The Last of Us?


The Last of Us, the groundbreaking video game, evoked intense emotions and enduring memories through its immersive narrative. One such powerful moment was when Joel sang Pearl Jam’s ‘Future Days’ to Ellie, resonating deeply with players. However, as the TV adaptation gears up for its second season, a potential alteration in the song choice seems inevitable due to a significant shift in the outbreak’s timeline. Let’s delve into the implications of this decision.

As reported by Hit – In the game, the Cordyceps outbreak erupted in 2013, the same year ‘Future Days’ was released, before fast-forwarding two decades to 2033, the focal point of Joel and Ellie’s journey. The symbolic attachment Joel had to this song in the game stems from it being among the last tunes he heard before the apocalypse consumed the world. However, the TV series chose a different path, initiating the outbreak in 2003 and advancing 20 years to 2023, aiming for a more relatable setting for the viewers who might not have experienced the game.

Regrettably, this chronological shift casts doubt on the possibility of witnessing Joel serenading Ellie with ‘Future Days’ in the upcoming season. Given the revised timeline, Joel would have never had the chance to hear and memorize this poignant composition. While the show creators might opt to honor the original narrative by incorporating the song, their deliberate effort to carve an independent identity for the TV adaptation suggests otherwise.

A glimmer of hope for fans emerges as the essence of Joel strumming the guitar and singing to Ellie remains intact in Season 2. However, the replacement song must align with the pre-outbreak era, maintaining thematic consistency. ScreenRant proposed ‘Alive’ by Pearl Jam, a fitting choice that keeps the emotional resonance alive.

On a positive note, the iconic Gustavo Santaolalla, the veteran composer responsible for scoring both The Last of Us Part 1, Part 2, and Season 1 of the Max TV series, reassures fans. His musical prowess, fused with the poignant narrative of The Last of Us, has the potential to craft an equally touching moment in the TV series. Santaolalla’s insight into the intricacies of adapting video game compositions to the live-action format instills confidence that a suitable replacement song will be thoughtfully chosen, ensuring the emotional impact remains profound.

As we eagerly await the next chapter of The Last of Us, the magic of its music remains a critical component, promising to captivate hearts anew, even in the face of change.